Joyce Kozloff

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Joyce Kozloff


Statements, Articles and Artist Projects by Joyce Kozloff
“Letter to a Young Woman Artist.” Anonymous was a Woman. Valencia: California Institute of the Arts, 1974, 94.

“Women Artists Here and Now.” Women Artists Newsletter, September 1975.

“Statement” (under the pseudonym Adele Leonard). Artforum, September 1975.

“Women Artists: What Have They Got and What Do They Want.” Woman Artists Newsletter, November 1975.

“Joyce Kozloff.” Art: A Woman’s Sensibility. Valencia: California Institute of the Arts, 1975, 38.

“Arlene Slavin.” 57th Street Review, February 1976.

“The Women’s Movement: Still a ‘source of strength’ or ‘one big bore’?” (with Barbara Zucker). ARTnews, April 1976, 48-50.

“Letter.” Women’s Caucus for Art Newsletter, June 1977.

“Thoughts on My Art.” Name Book I. Chicago: Name Gallery, 1977, 63-68.

“Art Hysterical Notions of Progress and Culture” (with Valerie Jaudon). Heresies IV, Winter 1978, 38-42.

“Frida Kahlo.” Women’s Studies, VI, I, 1978, 43-59.

“New York Feminist Art Institute Benefit.” Women Artists News, May 1979, 10-11.

“Frida Kahlo at the Neuberger Museum.” Art in America, May/June 1979.

“Statement.” Arts on the Line. Cambridge, MA: Hayden Gallery, Massachusetts Institute of Technology, 1980.

“The Cyclotron and the Brooklyn Bridge,” ARTnews, February 1981.

“In Search of the Ideal, Print Collector’s Newsletter, July-August 1980, 96.

“Statement.” New Decorative Works. Orlando: Loch Haven Art Center, 1983, 18.

“Others Speak on Public Art,” Art & Artists, May/June 1985.

“An Ornamented Joke.” Artforum, December 1986.

“Questionnaires.” Heresies 20, Fall 1986, 4, 17, 49, 58, 69.

“Like a Dense Curry with Coconut Milk.” American Ceramics, Summer 1987, 16-23.

“From the Other Side: Public Artists on Public Art.” Art Journal, Winter 1987.

“On Public Art, Art Journal, winter 1989, 339.

Patterns of Desire. Introduction by Linda Nochlin. New York: Hudson Hills Press, 1990.

“An Homage to the Month of Love/Art for the Feast of St. Valentine.” Interview, February 1991.

“The Question of Gender in Art.” Tema Celeste, Autumn 1992, 62.

“Forum: On Motherhood, Art and Apple Pie.” M/E/A/N/I/N/G, November 1992. Anthologized in

M/E/A/N/I/N/G, edited by Mira Schor and Susan Bee. Durham, NC: Duke University Press, 2000, 271-272.

“Joyce Kozloff.” Generation of Fellows. Washington, DC: National Endowment for the Arts, 1993, 35.

“Barbara Pollack.” Journal of Contemporary Art, Winter 1993, 84-91.

“Meaning from A to Z: A Visual Forum.” M/E/A/N/I/N/G, May 1996, 59.

“The Kudzu Effect (or the rise of a new academy).” Public Art Review, Fall/Winter 1996, 41.

“Art Hysterical Notions of Progress and Culture” (with Valerie Jaudon). In Theories and Documents

from Contemporary Art, edited by Kristine Stiles and Peter Selz. Berkeley: University of

California Press, 1996, 154-164.

“Robert Kushner: Gardens of Earthly Delight.” Bookforum, Spring 1998, 38.

“Lurking Below, images by Joyce Kozloff.” Culturefront, Summer 1998, 98-99.

“Public Strategies: Public Art and Public Space.” National Graduate Seminar, New York: New York University American Photography Institute, 1999.

“A Good Read,” ARTnews, January 1999, 99.

ARTnews Retrospective: 25 Years Ago.” ARTnews, April 2001, 50.

“When This you see...,” Art Journal, Summer 2001, 105-107.

“Statement,” Beauty without Regret. Santa Fe, New Mexico: Bellas Artes Gallery, 2001, 18.

“Voices from the American Academy: Joyce Kozloff,” Lincoln Center Theater Review, no. 29, Summer 2001, 17.

“Pattern and Decoration” (with Valerie Jaudon and Robert Kushner). In Patterns: Between Object and Arabesque. Odense, Denmark: Kunsthallen Brandts Klaedefabrik, 2001, 56-92.

“Art Hysterical Notions of Progress and Culture” (with Valerie Jaudon). In Feminism-Art-Theory An Anthology 1968-2000, edited by Hilary Robinson. Malden, MA: Blackwell, 2001, 168-197.

“Contributions,” City Secrets New York City, edited by Robert Kahn. New York: The Little Bookroom, 2002, 187, 342, 402, 435-436 .

Boys’ Art. Introduction by Robert Kushner. New York: D.A.P,/Distributed Art Publishers, Inc., 2003.

“The Artist’s Voice,” NAD Bulletin, Fall 2004, 5.

“Arttable: Changing the Equation: Women’s Leadership in the Visual Arts,” Arttable, Inc., 2005.

“Joyce Kozloff (1967),” From Postwar to Postmodernism / three decades of Columbia Visual Artists,

Columbia University School of the Arts, 2006, 21-22.

“Joyce Kozloff Max Kozloff.” In couplesdiscourse, Micaela Amateau Amato and Joyce Henri

Robinson. University Park, PA: Palmer Museum of Art, The Pennsylvania State University,

2006, 48-49.

“Art Hysterical Notions of Progress and Culture” (with Valerie Jaudon). In Art and Social Change: A

Critical Reader, edited by Charles Esche and Will Bradley. London: Tate Publishing, 2007, 230-240.

“Joyce Kozloff.” On the Issues Online, winter 2009.

“Joyce Kozloff.” The MacDowell Colony Bulletin, summer, 2009, 1, 8-10, 13, 16.

China is Near. Essay by Barbara Pollack. Milano, IT: Charta Edizioni Ltd. , 2010.

(with Robert Kushner). In Tony Robbin a Retrospective: Paintings and Drawings 1970-2010. Orlando,

FL: Orlando Museum of Art, 2011, 1-6. In, August 2, 2011.

M/E/A/N/I/N/G: 25th Anniversary Edition. http;//, November 2011.

“Portals.” Public Art Dialogue. Abingdon, Oxon, UK: Taylor & Francis, 2014.

“My First Time.” Film Forum Newsletter, January 29, 2014.

“Maria Lassnig in New York, 1968-1980.” Hyperallergic,

lassnig-in-new-york-1968-1980/, November 8, 2014.

“Linda Nochlin by Joyce Kozloff,” The Brooklyn Rail, July-August 2015,

Andreoli-deVillers, Jean Pierre. Futurism and the Arts A Bibliography 1959-73. Toronto and Buffalo: University of Toronto Press, 1975.

Caps in Capsule. New York: Creativ2003.e Artists Public Service Program, 1975, 20.

Lippard, Lucy R. From the Center. New York: Dutton, 1977, 85.

Wilding, Faith. By Our Own Hands. Santa Monica: Double X, 1977, 17, 19.

Ratcliff, Carter. “The New York Art World.” Geneva: Skira Annual/Art Aktuell, 1978, 82.

Munro, Eleanor. The Originals. New York: Simon and Schuster, 1979, 281, PCIV.

Charnas, Suzy McKee. The Vampire Tapestry. Albuquerque: Living Batch, 1980, cover and illustrations.

Lucie-Smith, Edward. Art in the Seventies. Ithaca, NY: Cornell University Press/Phaidon, 1980, 44.

Conway, Patricia and Robert Jensen. Ornamentalism. New York: Clarkson N. Potter, 1982, 212, 241, 272-275.

Broude, Norma and Mary D. Garrard. Feminism and Art History: Questioning the Litany. New York: Harper & Row, 1982.

Rosen, Nancy. “Public Art: City Amblings,” Ten Years of Public Art 1972-1982. New York: Public Art Fund, 1982.

Rubinstein, Charlotte Streifer. American Women Artists. New York: Avon, 1982.

Herrera, Hayden. Frida: A Biography of Frida Kahlo. New York: Harper & Row, 1983.

Robins, Corinne. The Pluralist Era. New York: Harper & Row, 1984, 132-133, 140-142.

Collischan, Judith Van Wagner. Women Shaping Art: Profiles in Power. New York: Praeger

Publishers, 1984.

Castleman, Riva. American Impressions. New York: Knopf, 1985, 114, 145.

Flanson, Richard J. III, The Security Pacific Collection 1970-1985: Selected Works. Los Angeles: Security Pacific Corporation, 1985.

Hunter, Sam and John Jacobus. Modern Art. New York: Abrams, 1985, 382-384.

Arnason, H. H. History of Modern Art. New York: Abrams, 1986.

Schwartz, Joyce Pomeroy. Art in the Environment. Boca Raton: Boca Raton Museum of Art, 1986.

Clark, Garth. American Ceramics 1876 to the Present. New York: Abbeville, 1987.

Heller, Nancy G. Women Artists: An Illustrated History. New York: Abbeville, 1987, 210, 226-228.

Busch, Akiko. Wallworks. New York: Bantam, 1988, 56.

Cruikshank, Jeffrey L. and Pam Korza. Going Public. Amherst, MA: Arts Extension Service, University of Massachusetts and National Endowment for the Arts, 1988, 66-67.

Frueh, Joanna. “Towards a Feminist Theory of Art Criticism,” Feminist Art Criticism: An Anthology. Arlene Raven, Cassandra L. Langer and Joanna Frueh, editors. Ann Arbor: UMI Research Press, 1988, 155.

Solomon, Holly and Alexandra Anderson. Living with Art. New York: Rizzoli, 1988.

Hall, Michael. “Forward in the Aftermath: Public Art Goes Kitsch,” Art in the Public Interest. Arlene Raven, Cassandra L. Langer and Joanna Frueh, editors. New York: Da Capo Press, 1989, 336-337.

Speight, Charlotte F. Hands in Clay. Mountain View, CA: Mayfield, 1989.

Jaggar, Alison M. and Susan R. Bordo. Gender/Body/Knowledge: Feminist Reconstructions of Being and Knowing. New Brunswick, NJ: Rutgers University Press,1989

Atkins, Robert. Artspeak. New York: Abbeville Press, 1990, 120,121, 137, 139.

Chadwick, Whitney. Women, Art and Society. London: Thames and Hudson, 1990, 333, 334, 214.

Honnef, Klaus. Contemporary Art. Cologne: Benedikt Taschen Verlag, 1990.

Rubinstein, Charlotte Streifer. American Women Sculptors. Boston: G. K. Hall, 1990.

Women Artists (1990 Engagement Book/Calendar). New York: Abbeville Press, Inc., 1990.

Schwartz, Joyce Pomeroy. “Public Art,” Encyclopedia of Architecture 4, American Institute of Architects. New York: John Wiley & Sons, 199, 120.

Wheeler, Daniel. Art Since Mid-Century: 1945-Present. New York: Vendome, 1991.

Stroud, Marion Boulton. An Industrious Art. New York: Norton, 1991, 54.

Bach, Penny Balkin. Public Art in Philadelphia. Philadelphia: Temple University Press, 1992, 118, 253.

Siegel, Judy. Mutiny and the Mainstream: Talk That Changed Art, 1975-1990. New York: Midmarch Arts Press, 1992, xv, 6-7, 18-20, 37, 40, 42, 45, 76-78, 114, 129, 220, 235, 323.

Becker, Wolfgang and Gabriele Uelsberg. Ludwig Forum Fur Internationale Kunst. Aachen: Ludwig Forum, 1992.

Aram, John D. Presumed Superior. Englewood Cliffs, NJ: Prentice Hall, 1993, cover.

Cirlot, Lourdes. Historia Universal de l’Art, Ultimes Tendencies. Barcelona, Spain: Editorial Planeta, 1993, 294-295.

Hammond, Harmony. “A Space of Infinite & Pleasurable Possibilities.” New Feminist Criticism. Joanna, Frueh, Cassandra L. Langer and Arlene Raven, editors. New York: Haro Press, 1993.

Westheimer, Dr. Ruth. The Art of Arousal. New York: Abbeville, 1993, 162-163.

Phelan, Peggy. Unmarked: the Politics of Performance. London, UK: Routledge, 1993.

Broude, Norma and Mary D. Garrard. The Power of Feminist Art. New York: Abrams N. Abrams, Inc, 1994, 23, 25, 91-92, 94, 112, 128-129, 149, 242, 279, 210-213, 219-225, 126, 128, 208, 237.

Abbott, Susan. Corporate Art Consulting. New York: Allworth Press, 1994.

Wilkins, David G., Bernard Schultz and Katheryn M. Linduff. Art Past, Art Present. New York: Abrams, 1994, cover, 572, 653; 2008 edition, Upper Saddle River, NJ: Prentice Hall, cover, 211-212.

Lucie-Smith, Edward. Race, Sex, and Gender in Contemporary Art. New York: Abrams, 1994, 142-143.

Mittler, Gene A. Art in Focus. Mission Hills, CA: Glencoe Div. of Macmillan/McGraw Hill, 1994, 66, 3.8.

Buser, Thomas. Experiencing Art Around Us. St. Paul: West Publishing Co., 1995, 359, 69, 80.

Fichner-Rathus, Lois. Understanding Art, Englewood Cliffs, NJ: Paramount Publishing Div. of Prentice Hall, 1995, 6, 8.

Fineberg, Jonathan. Art Since 1940, Strategies of Being. Englewood Cliffs, NJ: Prentice Hall, 1995, 372, 376, 12.6.

Lippard, Lucy R. The Pink Glass Swan. New York: The New Press, 1995, 27, 137.

Taylor, Brandon. Avant-Garde and After. New York: Perspectives, Harry N. Abrams, Inc., 1995, 40.

Herbert, Tony and Kathryn Huggins. The Decorative Tile. London: Phaidon, 1995, 217.

Brown, Kathan. ink, paper, metal, wood. San Francisco: Chronicle Books, 1996, 76-776.

Cerrito, Joann. Contemporary Artists. Detroit: St. James Press, 1996, 631-633.

Chave, Anna C. Valerie Jaudon. Jackson, MS: Mississippi Museum of Art, 1996.

Herbers, Jill. Tile. New York: Artisan Press, 1996, 28.

Kurokawa, Shunichi, editor. New History of World Art. vol. 27. Tokyo: Shogakukan Inc., 1996.

Ratcliff, Carter. The Fate of a Gesture: Jackson Pollock and Postwar American Art. New York: Farrar, Strauss, and Giroux, 1996.

Sandler, Irving. Art of the Postmodern Era. New York: Harper Collins, 1996.

Serra, Michael. Discovering Geometry. Berkeley: Key Curriculum Press, 1996.

Smith, Beryl, Joan Arbeiter, and Sally Shearer Swenson. Lives and Works, Talks with Women Artists, vol. 2. Lanham, MD and London, UK: 1996.

Heartney, Eleanor. Critical Condition. New York: Cambridge University Press, 1997, 120,122.

Lippard, Lucy R. The Lure of the Local. New York: The New Press, 1997, 78.

Matewicz, Julie. Grade I Art Express. Orlando, FL: Harcourt, Brace & Co., 1997.

Remer, Abby. Pioneering Spirits. Worcester, MA: Davis Publications, Inc., 1997, 132-133.

Schor, Mira. Wet. Durham, NC: Duke University Press, 1997, 30-32, 93.

Deepwell, Katy. Women Artists and Modernism. Manchester, UK: University of Manchester Press, 1998.

Banks, Robert and Julia. The Church Comes Home. Peabody, MA: Hendrickson Publishers Inc., 1998, cover.

Malossi, Giannino, editor. VOLARE: The Icon of Italy in Global Pop Culture. New York: The Monacelli Press, 1998, 169.

Morgan, Robert C. The End of the Art World (Aesthetics Today). New York: Allworth Press, 1998.

Elert, Nicolet V., editor. Contemporary Women Artists. Detroit: St. James Press, 1999.

Dictionary of Women Artists. London: Fitzroy Dearborn, 1999.

Jones, Amelia. Performing the Body/Performing the Text. London, UK: Routledge, 1999.

Gouma Peterson, Thalia. Miriam Schapiro. New York, NY: Harry N. Abrams, Inc., 1999, 32, 83.

Lyon, Janet. Manifestoes: Provocations of the Modern. Ithaca, NY: Cornell University Press, 1999.

Hammond, Harmony. Lesbian Art in America. New York: Rizzoli, 2000 88, 189.

Hills, Patricia, editor. In Modern Art in the USA. Hayden Herrera, “A Conversation with the Artist.” Upper Saddle River, NJ: Prentice Hall Inc., 2000, 317, 324, 434, 436-439.

Pelli, Cesar. National Airport Terminal. Gloucester, MA: Rockport Publishers, 2000, .

Sassaman, Jane. The Quilted Garden: Design and Make Nature Inspired by Quilts. Lafayette, CA:

C & T Publishing Inc., 2000.

Bach, Penny Balkin. New.Land.Marks. Washington, DC: Editions Ariel, 2001, 21.

Lazzari, Margaret. The Practical Handbook for the Emerging Artist. “Interview: Joyce Kozloff.”

Orlando, FL: Harcourt College Publishers, 2001.

Danto, Arthur C. The Madonna of the Future: Essays in a Pluralistic Art World. New York:

Farrar, Strauss, and Giroux, 2001.

Reckitt, Helena and Peggy Phelan. Art and Feminism. London: Phaidon Press, 2001, 32, 45, 208, 74.

Clark, Garth and Tony Cunha, The Artful Teapot. New York: Abbeville Press, 2001.

Grant, Daniel. An Artist’s Guide: Making It in New York City. New York: Allworth Press, 2001.

Edelson, Mary Beth. The Art of Mary Beth Edelson. New York: Seven Cycles, 2002.

Gerace, Gloria. Urban Surprises: A Guide to Public Art in Los Angeles. Princeton, NJ: Princeton

Architectural Press, 2002.

Kirkham, Pat. Women Designers in the USA, 1900-2000: Diversity and Difference. New York: Bard Graduate Center for Studies in the Visual Arts, 2002.

Burgess Fuller, Diana and Daniela Salvioni, editors. Art/Women/California 1950-2002,

Berkeley and Los Angeles: University of California Press, 2002.

Doss, Erika. Twentieth-Century Art. Oxford, UK: Oxford University Press, 2002.

The Penland Book of Ceramics. Asheville, NC: Lark Books, 2003,.

Marien, Mary Warner. Photography: A Cultural History. London: Laurence King Publishing, 2003.

Winter, Robert and David Gebhard. An Architectural Guidebook to Los Angeles. Layton, UT: Gibbs

Smith, 2003.

Harmon, Katharine. Personal Geographies and Other Maps of the Imagination. New York:

Princeton Architectural Press, 2003, 60, 160-161.

Kostelanetz, Richard. Soho: The Rise of an Artist’s Colony. New York: Routledge, 2003.

Taylor, Brandon. Contemporary Art. London: Laurence King Publishing, 2004.

Galusha, Emily and Mary Ann Nord. Clay Talks: Reflections by American Master Ceramists.

Minneapolis, MN: Northern Clay Center, 2004.

Walt, Irene. Art in the Stations / The Detroit People Mover. Detroit: Art in the Stations, 2004, 34-35.

Webster, Sally. Eve’s Daughter/Modern Woman: A Mural by Mary Cassatt. Champaign, IL:

University of Illinois Press, 2004.

Heartney, Eleanor. City Art: New York’s Percent for Art Program. New York: Merrell Publishers,

2005, 26.

Hills, Patricia. May Stevens. Petaluma, CA: Pomegranate Communications, Inc., 2005, 35, 37, 74.

ArtTable: Changing the Equation. New York: ArtTable Inc., 2005.

Selz, Peter. Art of Engagement. Berkeley, CA: University of California Press, 2005, 200.

Richer, Francesca and Matthew Rosenzweig. No 1 First Works by 362 Artists. New York, NY:

D.A.P., 2005, 205.

Sandler, Irving. From Avant-Garde to Pluralism: An On-the-Spot History. Lenox, MA: Hard Press

Editions. 2006, 210-211.

Montmann, Nina, Yilmaz Dziewior and Galerie fur Landschaftskunt. Mapping a City. Hamburg:

Kunstverein, 2006.

Bloom, Lisa E. Jewish Identities in American Feminist Art. New York: Routledge, 2006, vii, 4, 60.

Love, Barbara J. Feminists Who Changed America, 1963-1975. Chicago: University of Illinois Press,

2006, 262.

Buszek, Maria Elena. Pin-UP Grrrls. Durham, NC: Duke University Press, 2006, 358-359.

I Mosaici di Travisanutto. Cornuto, Italy: Grafiche Antiga, 2007, 51, 70-71.

Heartney, Eleanor, Helaine Posner, Nancy Princenthal and Sue Scott. After the Revolution Women

Who Transformed Contemporary Art. Munich, Germany: Prestel, 2007, 15-16.

Kallendorf, Craig W. A Companion to the Classical Tradition. Malden, MA: Blackwell Publishing,

2007, 387-388.

Wiseman, Carter. A Place for the Arts: The MacDowell Colony, 1907-2007. Lebanon, NH: University

Press of New England, 2007.

Adamson, Glenn. Thinking Through Craft. Oxford, UK: Berg, 2007, 28,30.

Frostig, Karen and Kathy A. Halamka. Blaze: Disourse on Art, Women and Feminism. Newcastle

upon Tyne: Cambridge Scholars Publishing, 2007.

Heartney, Eleanor. Art & Today. London, UK: Phaidon Press Inc., 2008, 242, 304, 308.

Harmon, Katharine. CARTOGRAPHY: Artists + Maps. Princeton, NJ: Princeton Architectural Press,

2009, 34-41.

Sayre, Henry M. A World of Art. Upper Saddle River, NJ: Prentice Hall Inc., 2009.

Cone, Michele, Stan Ries and Michael Bloomberg. Public Art for Public Schools. New York, NY:

The Monacelli Press, 2009, 168.

The Rockefeller Bellagio Center, The First 50 Years. New York, NY: The Rockefeller Foundation.,

2009, 150-151.

Wood, Denis. Rethinking The Power of Maps. New York, NY: The Guilford Press, 189-190, 307- 308, 319, 326, 2010.

Schor, Mira. A Decade of Negative Thinking. Durham, NC: Duke University Press, 2010, 234.

Sider, Sandra. Pioneering Quilt Artists, 1960-1980: A New Direction in American Art. New York,

NY: Photoart Publishing, 2010, 32.

Parnassus Poetry in Review, Vol 32/Nos. 1 & 2, New York, NY, 2011 (cover).

D’Alessandro, Jill. Pulp FASHION. San Francisco: Fine Arts Museums of San Francisco and

DelMonico Books, 2011, 24-25.

Dekel, Tal. Gendered: Art and Feminist Theory. Tel Aviv: Hakibbutz Hamenchad, 2011, 77-79.

Buszek, Maria Elena. “Craft and contemporary art,” Grove Art Online. Oxford University Press, 2007-


Sirlin, Deanna. She’s Got What It Takes: American Women Artists in Dialogue. Milan, IT:

Charta, 2013.

Arnoux, Elaine Badgley. The Edge of Vision. San Francisco: Blurb, 2013, 56.

Donahue, David M. and Julia Marshall. The Contemporary Arts Integration Handbook.

New York: Columbia University Teachers College Press, 2014.

O’Brien, Barbara. Marking 20 Years Kemper Museum of Contemporary Art. Kansas City,

MO: Kemper Museum of Contemporary Art, 2014.

Reilly, Maura. Woman’s Work: A Linda Nochlin Reader. London: Thames & Hudson, 2015.

Falconer, Morgan. Painting Beyond Pollock. London: Phaidon Press, 2015, 210-213.

Publications Edited
Rip-Off File (with Nancy Spero). New York: Ad Hoc Committee of Women Artists, 1973.

Interviews with Women Artists. New York: School of Visual Arts, Part I, 1975; Part II, 1976.

“Women Artists Speak on Women Artists” (with May Stevens). Women’s Studies, VI, 1, 1978.

“Women’s Traditional Arts/The Politics of Aesthetics” (member, editorial collective). Heresies IV, Winter 1978.

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